SCAMPlusquam - Thomas Vitali Reports & Reviews (36)
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What Every Artist Should Know
That publishing contract, instead of being limited to the tracks mentioned in the deal, is written in such a way that it covers the artist’s entire catalog: past, present, and future. In practice, this means that in exchange for a very small advance (for example, 500 EUR), the label secures the right to collect royalties on all of the artist’s works, including songs that have nothing to do with the initial agreement.
The result is that when the artist later asks for a royalty statement on the contracted tracks, the response is often that those songs barely generated any income (for example, 20 EUR). What is not explained is that, at the same time, the label is already collecting royalties for the artist’s entire catalog through authors’ rights organizations (GEMA, SACEM, ASCAP, BMI, etc.), without the artist knowing or receiving them.
Another critical point is that most artists do not even understand what publishing actually is, what it covers, or where those royalties come from. Publishing royalties are not the same as distributor royalties. A distributor collects only the income from sales and streams (Spotify, Apple Music, Beatport, etc.) that correspond to the recording. Publishing royalties, on the other hand, are tied to the composition and songwriting rights. They are generated every time a track is streamed, performed live, broadcasted on radio, synced to video, or otherwise exploited. Importantly, this also includes royalties generated on platforms like Spotify that distributors cannot collect. Those royalties belong to the songwriter and are paid via publishing channels, which makes them highly valuable.
This is not an isolated mistake, but rather a systematic contractual practice: it takes advantage of musicians’ lack of legal experience, blocks their creative freedom, and deprives them of the income that rightfully belongs to them.
I recommend starting a campaign for contracts to be shared and analyzed in a technical and comparative way, with all sensitive data removed. This way, other artists will be able to clearly see the abusive clauses and be warned before even considering signing.
⚖️ CONCLUSION ⚖️
Don’t Sign Away Your Future for 500 EUR
Labels like this lure artists with small advances, 500 EUR for one or two tracks. But hidden inside the deal is a publishing contract that doesn’t stop at those songs. It takes your entire catalog, past, present, and future.
When you ask for royalties, you’re told your signed tracks made almost nothing. What they don’t tell you is that they’re already collecting publishing royalties from all your works by registering them with a society like GEMA, SESAC, BMI, or IPRS in India, whichever one they use to control your catalog, money you’ll never see.
Most artists don’t even understand publishing. It’s not the same as distributor royalties. Distributors pay you for recordings. Publishing royalties are tied to the composition, every stream on Spotify, every radio play, every sync, every live performance. These payments go to the songwriter, not the distributor, and that’s exactly what’s being taken from you.
This isn’t a one-off mistake. It’s a systematic practice that locks you out of your own catalog and strips you of the income that belongs to you.
Read before you sign. Ask questions. Protect your rights. If you don’t understand what you’re signing, ask a lawyer to review it, or reach out to forums like this where contracts can be analyzed and explained.
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⚠️ PUBLISHERS IDENTIFIED AS CURRENTLY OR FORMERLY HAVING CONTRACTUAL OR BUSINESS RELATIONSHIPS WITH THE INDIVIDUAL IN QUESTION ⚠️
**Administration MP (India)**
* **Legal Name:** ADMINISTRATION MP PRIVATE LIMITED
* **CIN:** U74999DL2016PTC304904
* **Registered Address:** D-119, Saket, New Delhi, South Delhi, Delhi, 110017, India
* **Email:** [[email protected]]
* **Phone:** +91-98105 20510
* **PAN:** AAVCA2764L
* **Directors (2023–2024):**
* Mohammed Madras (DIN: 07632593)
* Joshua William Leo (DIN: 09358523)
* Sakina Madraswal (DIN: 09749250)
---
**YourVid GmbH (Germany)**
* **Address:** Maibacher Str. 36, 97424 Schweinfurt, Germany
* **Mailing Address:** CAYA Postbox 751472, 96035 Bamberg, Germany
* **Managing Director:** Julius Grimm
* **Register:** HRB 7633 – Amtsgericht Schweinfurt
* **VAT ID:** DE321612580
* **Legal Contact:** [[email protected]]
* **General Contact:** [[email protected]]
* **Phone:** +49 9721 4799623
---
**ROBA Music Publishing GmbH (Germany)**
* **Address:** Bramfelder Str. 118, 22305 Hamburg, Germany
* **Phone:** +49 40 5141 270
* **Email:** [[email protected]]
* **VAT ID:** DE118590620
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**Peermusic Group (Germany)**
* **Headquarters:** 901 W. Alameda Ave., Burbank, CA 91506, USA
* **Phone:** +1 818-953-7200
* **Email:** [[email protected]]
* **VAT ID (Europe):** DE811 205 325 (Peermusic Germany GmbH)
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**Truelove Music (United Kingdom)**
* **Address:** 27A Green Lanes, London, N16 9BS, United Kingdom
* **Phone:** +44 (0)20 8802 8097
* **Email:** [[email protected]](mailto:[email protected])
* **VAT ID:** GB 646 1246 43
* **NOTE:** Truelove Music severed ties with Plusquam Records in 2022 →
Truelove Music Statment:
Following a prolonged commercial dispute with Thomas Vitali and his company Plusquam Records, we are pleased to announce that following an agreement between us we have as of 30.09.2024 severed our relationship and commercial ties, which latterly has comprised Baroque Records / Sky Blue Music.
[Read official statement]
https://truelovemusic.com/truelove-music-severs-ties-with-plusquam
I haven’t seen any users here claiming that distributor royalties can be “seized.” That’s just a deliberate distraction. The real issue is **publishing royalties**, a completely separate income stream, collected not by distributors, but through **rights-management** societies, such as **GEMA** or **IPRS**.
Personal attacks don’t change facts. Anyone who actually understands how **music rights** work knows the difference between **distribution** and **publishing**.
The unfortunate TRUTH is that most artists don’t, and that lack of understanding is exactly what this character exposed here has been feeding on for years.
Judging by the tone and defensiveness in these replies, it’s not difficult for everyone to see who that is...
SCAMHELL - DON'T TRUST HIM
He’s already changed the PhonkHell contracts twice. In earlier versions, the contract basically allowed him to seize the artist’s royalties. If there are artists who got screwed over by this, feel free to drop a comment below.
The deal is basically this: in exchange for a small advance, you’re handing over the publishing rights to your track(s) for almost forever. I say forever because let’s say they send you a $500 advance — if your song doesn’t generate enough income to cover that, you can’t terminate the contract. And even if you do, your publishing rights still remain stuck with PhonkHell permanently.
As I said, the contract was modified. The biggest change is that in the first version, artists weren’t even allowed to release with another label. In the second version, that clause was removed — but the royalty grab stayed the same. PhonkHell still keeps the income.
He thinks that by signing 2–3 bigger artists (with over a million monthly listeners on Spotify) he’s building himself a good reputation, but he’s WRONG. There are more than ten people who’ve already suffered from this and the exposure keeps happening again and again. He threatens to sue, but never does — and he can’t. He has no grounds, no valid reason, no legal basis. It’s just a bluff to try and scare people.
If anyone reading this is considering working with him, my advice: don’t. Work with a serious, trustworthy company instead.
Warning About Thomas Vitali – A Scam "Artist "in the Phonk Scene
When it came to video editing, the situation was even worse—about 90% of the work I did was never paid for. He bombards artists with tasks, yet more often than not, the payment never comes. If you ever question him about it, expect excuses, blame-shifting, or outright silence.
So where does the money from artists’ hard work go? Instead of fairly compensating creators, he spends it on personal luxuries—helicopter rides, social media bots to boost his fake popularity, hiking trips, and buying up labels and websites to maintain his monopoly in the scene. His sole focus is on himself and his own brands, with no regard for the artists who actually bring value to them.
Thomas Vitali is notorious for exploiting smaller artists, especially in the phonk community. If you ever come across him, RUN—don’t walk! He will take as much as he can from you, and when it’s time to pay, he’ll either vanish or blame you.
Avoid this scammer at all costs. Don’t let your hard work fund his ego and lavish lifestyle.
Another thing, he 's the CEO of the trash and scam label phonkhell where he will pay you minium 50$ even if you have 100k monthly listeners, 100$ if it's a collab with another artist. If a song by any chance gets viral , you wont ever get a cent from this [censored]er. This guy is rich AF and rides a helicopter just look at his socials, do yourself a favor. I hope you got to jail for scamming people! He's been scamming people for over 10 years! WAKE UP!
Systematic Copyright Violations by Thomas Vitali (TheLavish)
https://www.facebook.com/permalink.php?story_fbid=1560671910776048&id=1000049976...⇄
Threats and intimidation tactics
He sends me intimidation emails and threatens me by taking criminal legal action against me and filing civil police reports for exposing him and telling the truth about him.
He asked me to take down what I have written about him on Scampulse or he will take me to criminal court for defamation. He doesn't even know how to say defamation and instead, he called it a [censored]ty post and bad mouthing.
I just want to put this on the record and make this public so everyone knows what I am going through and what this fraudster scammer is doing.
He's harassing me, he's threatening me, he's trying to intimidate me with criminal law suits and a very violent behaviour. He lies and then he tries to play the victim and uses the law to intimidate people.
I have replied to him by email by telling him that I know my rights and asked him to stop wasting my time.
Bottom line is, he stole our music, breached our contracts, infringed on our copyrights, never sent royalty statements and now he's threatening us and intimidating us with criminal law suits. This guy is a delusional parasite and should be sent to PRISON ASAP.
Exposing Mr. Vitali's Fraudulent Behavior
WOW. This guy is a relentless criminal fraudster and I am glad that we are gathering more proof of his criminal activities.
https://www.scampulse.com/plusquam-thomas-vitali-reviews#i17408808
https://www.scampulse.com/plusquam-thomas-vitali-reviews#i17519432
New Music Publisher hired and partnered with Plusquam Publishing Edition: Thomas Vitali:
YourVid GmbH
Maibacher Str. 36
97424 Schweinfurt
Germany
Mailing Address (please send all physical mail to this address):
YourVid GmbH
CAYA Postbox 751472
96035 Bamberg
Germany
Represented by (also responsible for the content on this website):
Managing director: Julius Grimm
c/o YourVid GmbH
Maibacher Str. 36
97424 Schweinfurt
Germany
Contact Information (if you received a claim from us):
E-Mail: [email protected]
Contact Information (other inquiries):
Phone: 499721-4799623
E-Mail: [email protected]
Register entry:
Entry in: Handelsregister
Register Number: HRB 7633
Register Court: Amtsgericht Schweinfurt
VAT ID: DE321612580
---------
GEMA Impressum:
Legal form and representation:
GEMA has the legal form of a commercial association pursuant to Section 22 of the German Civil Code. The association is represented in and out of court by the Executive Board in accordance with Article 14 of its Articles of Association. Two members of the Executive Board are jointly authorized to represent the association.
Management Board: Dr. Tobi[censored]zmüller (Chairman of the Management Board), Lorenzo Colombini (Member of the Management Board), Georg Oeller (Member of the Management Board)
Value added tax identification number: DE136622151
Supervisory authorities:
Senate Department for Justice
Salzburger Straße 21-25
10825 Berlin-Schöneberg
www.berlin.de/sen/justiz
German Patent and Trademark Office
Zweibrückenstraße 12
80331 Munich
www.dpma.de
Federal Cartel Office
Kaiser-Friedrich-Strasse 16
53113 Bonn
www.bundeskartellamt.de
Responsible for journalistic-editorial content within the meaning of Section 55 (2) of the Interstate Broadcasting Treaty:
Ursula Goebel, Director of Communications
E-mail: [email protected]
Copyright infringement
We tried to contact him amicably several times and we never ever received any replies from him or anyone at Plusquam records.
We have finally sent them a breach of contract and Termination of Agreement letter as stated in section 13 of the Baroque Records Contracts and gave them 30 days to respond and rectify the breach but again, we heard nothing back.
So, we have contacted all the streaming and download platforms with Takedown requests (Spotify, Amazon, Soundcloud, Beatport, Traxsource etc...etc...) and so far everyone we spoke with have accepted our requests and have taken down our music.
Following our official and legal letter to them, we have reversed our copyrights and have taken down 90% of our music. The remaining 10% will be taken down soon. These guys license them on soooo many different compilations that it's sometimes hard to find everything. We are confident that we will find them all in due time.
Furthermore, we have discovered a deeply troubling issue related to the assignment of writer credits for our works. We recently learned that two individuals named Eugene Semchenkov and Daniel Altadill have been wrongfully claiming all writer credits, resulting in significant complications with performance rights organizations (PRO) and other publishing claiming organizations from around the world. These unauthorized actions not only damage our reputation as artists but also claim our writer’s royalties and create legal and professional obstacles that are completely unacceptable.
A Web of Frauds: Mr. Vitali's Multifaceted Deception
According to German legislation, particularly the "Urheberrechtsgesetz" (Copyright Act), commissioned works are not allowed and are not recognized in Germany.
A "Ghost Producer" is a term used in the music industry to describe a music producer who creates music for other artists or projects without receiving public recognition for their work. The term "Ghost" refers to the fact that their contribution remains secret or anonymous, as if they are "invisible" in the music production process. These Ghost Producers work behind the scenes to compose, produce, and mix music for other artists, DJs, or music projects.
Although the original authors of the music may have initially agreed, German copyright law, as well as the laws in many other countries, require that authorship be correctly and truthfully attributed. False attribution of authorship of a musical work can be considered forgery or ideological falsehood. Therefore, even if the Ghost Producer were to agree, Thomas Vitali would not be legally entitled to represent himself as the author of the music in Germany. Copyright protects the rights of authors and emphasizes the importance of accurate and appropriate attribution of authorship.
Furthermore, presenting this music to GEMA, the German copyright collecting society, as if it originated from Thomas Vitali would constitute forgery and fraud. This would not only violate copyright law but also involve acts of forgery and deception.
In summary, claiming to be the author of a work, even if the original author agrees, still constitutes a violation of copyright and is not permissible in Germany. Copyright law protects the rights of authors and emphasizes the importance of accurate attribution. Presenting falsely attributed music to GEMA would constitute acts of forgery and fraud.
Mr. Vitali uses a contract for his mentioned projects, that contains clauses that could be considered illegal under German law. It appears that Mr. Vitali is well aware of the illegality of the contracts he uses:
...
[Materials have been removed. Please reach out to the user for access.]
Fraud:
https://www.beatport.com/artist/dayfox/727109
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https://www.beatport.com/artist/thelavish/671939
https://open.spotify.com/artist/7F8w7zXKkyVBXQjRZHV6Ao
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https://open.spotify.com/artist/4Mnt88jCPQwRXLNqUDiky3
-
https://open.spotify.com/artist/1GqG9uFZnkRityZfAFARoo
-
https://open.spotify.com/artist/1bUb2RStB8TX4RZJLahmDl
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Gemäß der deutschen Gesetzgebung, insbesondere dem "Urheberrechtsgesetz" (Copyright Act), sind Auftragswerke in Deutschland nicht erlaubt und werden nicht anerkannt.
Obwohl die ursprünglichen Urheber der Musik möglicherweise anfangs einverstanden waren, erfordert das deutsche Urheberrecht sowie das Recht vieler anderer Länder, dass die Urheberschaft korrekt und wahrheitsgemäß zugeschrieben wird. Eine falsche Angabe zur Urheberschaft eines musikalischen Werkes kann als Fälschung oder ideologische Falschheit betrachtet werden. Daher wäre selbst wenn der Ghost Producer zustimmen würde, Thomas Vitali nicht rechtlich dazu berechtigt, sich in Deutschland als Autor der Musik auszugeben. Das Urheberrecht schützt die Rechte der Autoren und betont die Bedeutung einer genauen und angemessenen Zuschreibung der Urheberschaft.
Darüber hinaus würde die Präsentation dieser Musik bei der GEMA, der deutschen Urheberrechtsverwertungsgesellschaft, als ob sie von ihm selbst stammt, eine Fälschung und einen Betrug darstellen. Dies würde nicht nur gegen das Urheberrecht verstoßen, sondern auch Handlungen von Fälschung und Täuschung beinhalten.
Zusammenfassend lässt sich sagen, dass die Behauptung, der Autor eines Werkes zu sein, selbst wenn der ursprüngliche Autor zustimmt, weiterhin einen Verstoß gegen das Urheberrecht darstellt und in Deutschland nicht zulässig ist. Das Urheberrechtsgesetz schützt die Rechte der Autoren und betont die Wichtigkeit einer genauen Zuordnung der Urheberschaft. Die Vorlage fälschlich zugeschriebener Musik bei der GEMA würde Handlungen von Fälschung und Betrug darstellen.
Bitte beachten Sie, dass dieser überarbeitete Text ausschließlich zu Informationszwecken dient und nicht als rechtliche Beratung angesehen werden sollte. Für konkrete rechtliche Angelegenheiten wird empfohlen, sich an einen qualifizierten Anwalt zu wenden. Eine solche Situation sollte von den entsprechenden Behörden untersucht werden.
Herr Vitali verwendet für seine genannten Projekte, bei denen er in der Regel Beträge im vierstelligen Bereich zahlt, einen Vertrag, der Klauseln enthält, die nach deutschem Recht als illegal angesehen werden könnten. Es scheint, dass Herr Vitali sich der Illegalität der von ihm verwendeten Verträge sehr wohl bewusst ist:
...
[Materials have been removed. Please reach out to the user for access.]
Although the original creators of the music may have initially agreed, German copyright law, as well as the law of many other countries, requires that authorship be correctly and truthfully attributed. Misrepresentation of authorship of a musical work may be considered forgery or ideological falsity. Therefore, even if the Ghost Producer agreed, Thomas Vitali would not be legally entitled to claim authorship of the music in Germany. Copyright law protects the rights of authors and emphasizes the importance of accurate and appropriate attribution of authorship.
Furthermore, presenting this music to GEMA, the German copyright collecting society, as if it were his own would constitute forgery and fraud. This would not only violate copyright law, but also involve acts of forgery and deception.
In summary, claiming to be the author of a work, even if the original author agrees, is still a violation of copyright law and is not permissible in Germany. The Copyright Act protects the rights of authors and emphasizes the importance of accurate attribution of authorship. Submission of falsely attributed music to GEMA would constitute acts of forgery and fraud.
Please note that this revised text is for informational purposes only and should not be considered legal advice. For specific legal matters, it is recommended to contact a qualified attorney. Such a situation should be investigated by the appropriate authorities.
Mr. Vitali uses for his mentioned projects, where he usually pays amounts in the four-digit range, a contract that contains clauses that could be considered illegal under German law. It seems that Mr. Vitali is well aware of the illegality of the contracts he uses:
...
[Materials have been removed. Please reach out to the user for access.]
Thomas Vitali Labels, hired services contacts and takedown contacts
Amplify Your Music,
Back2House,
Baroque Records,
Bloodsugar Plusquam,
Bloodsugar Records,
Bondi Beach Records,
Bosphorus Underground Recordings,
Cherry Lounge Recordings,
Crestani Records,
Crotus Records,
DC10 VIP Records,
Dropzone Records,
EchoPlast,
EDM Nerds,
EDM Tools,
Electrophenetic,
Esta Caliente,
Flat Belly Limited,
Flat Belly Recordings,
Flat Belly White,
Floating Music,
Freaky Culture,
Futurefy Records,
Galore Music USA,
GoaCrops Records,
Groove Control Records,
Hamburg Aufnahmen,
Ibiza Party Squad,
Icarus Creations,
Kamikaze Records,
Maia Records,
Mash Minimal
MEDIUM Records,
Minimal Dreams,
Minimal Mania,
Minimal Nerds
Minimal Nerds,
MinimalTechnoCity,
MinimalTV,
MNML RCRDS,
MTech,
Planet B.E.N. Records,
Planet Minimal,
Plusquam Chillout
Plusquam Digital,
Plusquam Division,
Plusquam Domestic Special,
Plusquam Minimal,
Plusquam music,
Plusquam Records Label Group,
Plusquam Trance,
Prestige Music,
Prog Dog Recordings,
Psytropic Records
Rabies Records,
Real Magic,
Revision Music,
Riseup Records,
Rococo Records,
Seven Stars,
Sick beatz Records,
Sin Records,
Skykey Records,
Spliff Music,
Synergetic Records,
Tech Factory Recordings,
Turning Wheel Records,
Ultimate Legends,
Urban Gorillaz,
Vertikal Records,
Weekend Music, WMG,
Weekend Warrios Day,
WOK Records,
Wormland Black,
Yaiza Records,
Zilicon Records,
For claims, distributors known and contracted by Thomas Vitali to provide the affected music (along with contact information):
Yomu / Daredo GmbH.
[email protected]
[email protected]
T: +49(0)621 122 858 11
Isolation Network / Ingrooves
[email protected]
[email protected],
[email protected],
[email protected],
[email protected]
[email protected]
[email protected]
[email protected]
T: +1 (415)-489-7000
Digidis – Music Mail GmbH
[email protected]
T: +49 (711) 365-46900
IIP-DDS / FUGA
[email protected]
T: +1 (702) 793-7602
Label Worx Limited
[email protected]
T: +4401482240402
Believe Digital,
[email protected]
[email protected]
Symphonic Distribution
[email protected]
T: +1 (813) 907-3128
Publishers hired by Thomas Vitali for their services of registration in GEMA and other services for and known to manage the affected music (along with contact information, track) for Plusquam Publishing and its Sky Blue Publishing:
ROBA Music Verlag GmbH
Neue Rabenstr. 3
20354 Hamburg
Germany
Managing Directors
Rolf R. Baierle, PD Dr. Christian Baierle
Registered office:
Amtsgericht Hamburg HR B 23838
VAT-IDNo.: DE 118514585
E:
[email protected]
[email protected]
[email protected]
[email protected]
[email protected]
T: +49 40 41 41 0-80
--------------------------------------------------------
True Love Music Publishing
PO Box 63445, London
ATTN: MR. JOHN TRUELOVE
372 OLD STREET, STUDIO 44
LONDON EC1V 9AU
UK
E:
[email protected]
[email protected] (Tina Bavdek)
To make takedown claims on music platforms contact:
Beatport:
[email protected]
http://forms.beatport.com/form/51386983261968
Spotify:
[email protected]
https://support.spotify.com/us/report-content/
YouTube:
https://www.youtube.com/copyright_complaint_form
Itunes:
[email protected]
[email protected]
https://www.apple.com/legal/internet-services/itunes/itunesstorenotices/
Deezer:
[email protected]
Regarding a variant email address "[email protected]"
An individual who goes by the name "ANTHONY PRADOS" presents himself as the person in charge of the legal department and legal affairs of PLUSQUAM RECORDS LABELGROUP, using the email address "[email protected]" hosted by German company Strato AG (https://www.strato.de). However, the veracity of this information cannot be verified since no official credential of Mr. ANTHONY PRADOS as representative of the legal area of the company has been provided, nor has any information about him been found on the internet regarding his legal background, job position, title or experience in such area. Additionally, the existence of the legal department of PLUSQUAM RECORDS LABELGROUP cannot be verified either. If the company does have a legal department, it is obligated to provide truthful and transparent information about its structure and operation to whoever requests it, including the competent authorities. Verification is necessary to determine the truthfulness of the information provided.
It is also possible that the legal department, "ANTHONY PRADOS," and the email address containing the term "legal," which gives the impression that the company has a legal department, are false. They may have been created with the intention of intimidating the owners of affected works who have attempted to protect and defend their intellectual property against multiple violations of their copyrights committed by Mr. VITALI through his Plusquam companies. Mr. VITALI is responsible for providing the works and metadata, which includes additional information such as the title of the work, the name of the artist, composer, and producer, among others, to the distribution services of companies such as daredo GmbH with UID: DE81397736363, under the supervision of Mr. DANIEL CHIRITA-FRANZ ([email protected]) / Digital Label Relations in Mannheim, Germany.
It is worth noting that the email address "[email protected]" has been used in several instances, and/or being incorporated as a visible copy "Cc" in emails sent by Mr. VITALI, to attempt to legally intimidate the affected owners of works. The main objective is to dissuade them from believing that they are entitled to file applications for takedown and purposes related to the protection of their works, besides the multiple violations to their works. These tactics hinder or prevent the free exercise of authors' rights to request music platforms to remove their affected works, in accordance with their full and lawful right, based on the finding of multiple copyright infringements even under the German Urheberrechtsgesetz (UrhG). Mr. VITALI's threats mention lawyers who supposedly have worldwide reach through their "associates."
The competent authorities must conduct a prompt investigation into the known emails related to PLUSQUAM RECORDS LABELGROUP, namely ([email protected]) and ([email protected]), primarily used by Mr. THOMAS VITALI. This investigation is based on the discrepancies and irregularities detected and on the information obtained through Google searches using the terms "Thomas Vitali Fraud" or "Thomas Vitali Scam." These searches reveal several publications by authors of damaged works publicly denouncing their situation with HERR THOMAS VITALI, a resident of Germany. This reinforces the suspicion of possible fraud by electronic means.
Eine Person namens "ANTHONY PRADOS" stellt sich als verantwortliche Person der Rechtsabteilung und der rechtlichen Angelegenheiten von PLUSQUAM RECORDS LABELGROUP vor und nutzt die E-Mail-Adresse "[email protected]", die von der deutschen Firma Strato AG (https://www.strato.de) gehostet wird. Die Wahrhaftigkeit dieser Information kann jedoch nicht verifiziert werden, da keine offizielle Legitimation von Mr. ANTHONY PRADOS als Vertreter des Rechtsbereichs des Unternehmens vorgelegt wurde und auch keine Informationen über ihn im Internet gefunden werden konnten, die seinen rechtlichen Hintergrund, seine Jobposition, seinen Titel oder seine Erfahrung in diesem Bereich betreffen. Zusätzlich kann auch die Existenz der Rechtsabteilung von PLUSQUAM RECORDS LABELGROUP nicht verifiziert werden. Wenn das Unternehmen tatsächlich eine Rechtsabteilung hat, ist es verpflichtet, wahrheitsgemäße und transparente Informationen über ihre Struktur und ihre Arbeitsweise an alle bereitzustellen, die danach fragen, einschließlich der zuständigen Behörden. Eine Verifizierung ist erforderlich, um die Wahrhaftigkeit der bereitgestellten Informationen zu bestimmen.
Es ist auch möglich, dass die Rechtsabteilung, "ANTHONY PRADOS" und die E-Mail-Adresse, die den Begriff "legal" enthält und den Eindruck erweckt, dass das Unternehmen eine Rechtsabteilung hat, falsch sind. Sie könnten mit der Absicht erstellt worden sein, die Eigentümer betroffener Werke einzuschüchtern, die versucht haben, ihr geistiges Eigentum gegen mehrfache Verletzungen ihrer Urheberrechte durch Herrn VITALI durch seine Plusquam-Unternehmen zu schützen. Herr VITALI ist dafür verantwortlich, die Werke und Metadaten, einschließlich zusätzlicher Informationen wie dem Titel des Werks, dem Namen des Künstlers, des Komponisten und des Produzenten, an die Vertriebsdienste von Unternehmen wie daredo GmbH mit UID: DE81397736363 unter der Aufsicht von Herrn DANIEL CHIRITA-FRANZ ([email protected]) / Digital Label Relations in Mannheim, Deutschland, weiterzugeben.
Es ist erwähnenswert, dass die E-Mail-Adresse "[email protected]" in mehreren Fällen verwendet wurde und/oder als sichtbare Kopie "Cc" in E-Mails von Herrn VITALI eingefügt wurde, um die betroffenen Werkbesitzer rechtlich einzuschüchtern. Das Hauptziel ist, sie davon abzuhalten, zu glauben, dass sie berechtigt sind, Anträge auf Entfernung und Zwecke im Zusammenhang mit dem Schutz ihrer Werke einzureichen, abgesehen von den vielfachen Verletzungen ihrer Werke. Diese Taktiken hindern oder verhindern die freie Ausübung der Urheberrechte von Autoren, um Musikplattformen aufzufordern, ihre betroffenen Werke gemäß ihrem vollen und rechtmäßigen Recht zu entfernen, basierend auf der Feststellung von mehrfachen Urheberrechtsverletzungen auch unter dem deutschen Urheberrechtsgesetz (UrhG). Herr VITALIs Bedrohungen erwähnen Anwälte, die angeblich durch ihre "Partner" weltweit tätig sind.
Die zuständigen Behörden müssen eine prompte Untersuchung der bekannten E-Mails im Zusammenhang mit PLUSQUAM RECORDS LABELGROUP durchführen, nämlich ([email protected]) und ([email protected]), die hauptsächlich von Herrn THOMAS VITALI verwendet werden. Diese Untersuchung basiert auf den festgestellten Diskrepanzen und Unregelmäßigkeiten sowie den über Google-Suchen mit den Begriffen "Thomas Vitali Fraud" oder "Thomas Vitali Scam" erhaltenen Informationen. Diese Suchen enthüllen mehrere Veröffentlichungen von Autoren beschädigter Werke, die ihre Situation mit HERRN THOMAS VITALI öffentlich anprangern, einem Bewohner Deutschlands. Dies verstärkt den Verdacht auf möglichen Betrug durch elektronische Mittel.
THOMAS VITALI
[email protected]
https://www.facebook.com/dayfoxmusic
[email protected]
https://www.facebook.com/thelavishmusic
[email protected]
[email protected]
Through his labels he has committed multiple author's rights violations, and to top it off, he always tries to intimidate and harass via email or Facebook the artists who try to defend their works from these abusive actions committed by Vitali through their labels, actions that are also illegal since it goes against the laws that protect authors in any country in the world, including Germany!
The threats made by Thomas Vitali range from "taking legal actions" against the artist claiming to defend his work in his rightful entitlement, wherever the artist is located, to supposedly "working with Vitali lawyers to remove the artist's profiles and pages."
To begin with, this already sounds ridiculous, firstly, because whether there is a contract or not, the author has the right to protect his work at all costs from any kind of violation of his rights and from any kind of derogatory treatment, while a contract have far-reaching, does not mean that the far-reaching is unlimited to carry out illegal activities and secondly, threatening an author with the removal of his artist's profile in this sense, is in itself nuts even under any law, since the only way to carry out this aberrant act would be in an illicit fashion.
There are many stories behind this man, many of them are out in the open and others are coming to light, be careful in where you sign your music, the contracts of everything related to this man are abusive, in addition to having hidden defects.
#vitalifraud #vitaliscam #thomasvitalifraudster #thomasvitaliscammer #vitalirepeatinfringer #thomasvitalifraud #Vitalifraudster
Über seine Labels hat er mehrere Urheberrechtsverletzungen begangen, und zu allem Überfluss versucht er immer wieder, Künstler per E-Mail oder Facebook einzuschüchtern und zu belästigen, die versuchen, ihre Werke gegen diese missbräuchlichen Handlungen zu verteidigen, die von Vitali über seine Labels begangen werden, Handlungen, die ebenfalls illegal sind, da sie die Gesetze zum Schutz der Urheber in allen Ländern der Welt, einschließlich Deutschland, verletzen!
Die Drohungen von Thomas Vitali reichen von der Einleitung "rechtlicher Schritte" gegen den Künstler, der sein Werk verteidigt, unabhängig davon, ob dieser in China oder irgendwo anders auf der Welt lebt, bis hin zur Androhung an Künstler, angeblich "mit ihren Anwälten zusammenzuarbeiten, um die Profile und Seiten des Künstlers" auf Facebook oder anderen Musikplattformen zu entfernen.
Zunächst einmal klingt dies bereits lächerlich, denn unabhängig davon, ob ein Vertrag besteht oder nicht, hat der Urheber das Recht, sein Werk um jeden Preis vor jeder Art von Verletzung seiner Rechte und vor jeder Art von entwürdigender Behandlung zu schützen. Ein Vertrag hat einen gewissen Spielraum, aber das bedeutet nicht, dass dieser Spielraum unbegrenzt ist, um illegale Aktivitäten durchzuführen, und zweitens ist die Androhung, das Künstlerprofil eines Autors in diesem Zusammenhang zu entfernen, selbst im Rahmen des Gesetzes unsinnig, weil die einzige Möglichkeit, diese abartige Handlung durchzuführen, eine illegale wäre.
Hinter diesem Mann verbergen sich viele Geschichten, von denen viele öffentlich sind und andere erst jetzt ans Licht kommen. Seien Sie vorsichtig, wo Sie Ihre Musik unterschreiben, die Verträge für alles, was mit diesem Mann zu tun hat, sind missbräuchlich und haben versteckte Laster.
THOMAS VITALI IS A WELL KNOWN COPYRIGHT and intellectual propertys abuser
We should gather all the Thomas Vitali fraud crimes that he committed to all artists and put him definitely on TRIAL...in Germany Hamburg..where he has already being processed legally for copyright abuse against other artists and people...
here the first text from my lawyer in Switzerland and what he found out about him this ThomasVitali SCAMMER in German language for you and everybody else that is been frauded by Thomas Vitali...:
In der Zwischenzeit möchte ich Ihnen die Ergebnisse unserer Abklärungen aufgrund der Informationen, die Sie uns haben zukommen lassen, bekannt geben:
Die Internet-Recherchen lassen den Schluss zu, dass verschiedene Interpreten davon ausgehen, bei Herrn Thomas Vitali handle es sich um einen notorischen Verletzer von Urheberrechten, dies grenzüberschreitend aus Deutschland. Ist Ihnen bekannt, dass sich andere Interpreten rechtlich gegen ihn zur Wehr gesetzt haben? Dies ist meistens der Fall und spricht sich dann auch in der Szene herum.
Wir haben festgestellt, dass es eine Gerichtsstandsvereinbarung für Hamburg gibt, die das Vorgehen erschweren könnte. Grundsätzlich könnten Sie zwar vorweg abmahnen und allenfalls strafrechtliche Schritte gegen Herrn Vitali ergreifen. Das macht vor allem dann Sinn, wenn bereits Strafverfahren anhängig sind. Wir würden Ihnen diesfalls anraten, sich in einem solchen Strafverfahren als Privatpartei und Geschädigter zu beteiligen.
Dass Sie Ihrerseits praktisch als erster in den Angriff übergehen, wäre mit erheblichen Risiken verbunden. Das weitere Vorgehen möchte ich sowieso gerne mit Ihnen telefonisch besprechen.
Freundliche Grüsse
I am still in contact with this lawyer and we will taking actions soon against this Thomas Vitali...
Thanks for posting
If you want to know more or get in touch with me just email me or call me here:
0041 76 652 5236
I am in the same position as you, and I am about to sue this guy. Can we get in touch? Please write me [protected]
I am glad I am not the only one!
Type of a scam Other
Initial means of contact Not applicable
Seems to be of very questionable reputation in so far as the music industry...
I am concerned since in my artist profiles in different music platforms, I see several compilations made by some of the labels mentioned in an article I found on the internet...
Try to look by the following title on google:
"Widespread fraud is taking money, credit away from artists"...
I would appreciate any information. Thanks!
https://tinyurl.com/79pkzcfe
Type of a scam Other
Initial means of contact Not applicable
Seems to be of very questionable reputation in so far as the music industry...
https://notyourjukebox.com/2020/07/08/widespread-fraud-is-taking-money-credit-aw...⇄ />
I am concerned since in my artist profiles in different music platforms, I see several compilations made by some of the labels mentioned in the previous article...
I would appreciate any information. Thanks!